Archive for March, 2014


Suffer And Be Still: Women In The Victorian Age

vicinus2bHow then could a Victorian woman break away from imitation – or guilty aberration – of the model of the perfect lady? The full answer is surely subject to interpretation, and far more research is necessary, but the new woman was in part a product of changed social and economic conditions, and in part the result of the courageous efforts of individual women who suffered social ostracism for their beliefs. The suffrage movement, educational reform, the campaign against the Contagious Diseases Acts and the fight to distribute birth control information all contributed to the downfall of hypocrisy and rigidity. By the 1880’s the perfect lady could no longer hold her own unchallenged. Women increasingly demanded and gained constructive and useful roles in society. Job opportunities were opening to every class, making it possible for women to achieve economic independence (though often at great psychological cost. as George Gissing’s The Odd Women [1892] illustrates). Social attitudes were also changing… In popular literature independent women became heroines for the first time. Sexual attitudes also changed; the most consistent tenet of the women’s movement was the application of female sexual standards to all of society. Only a few advanced thinkers recognised that equality would not lead to male continence, but female indulgence. The women and men of the late nineteenth century were never so Victorian as when they insisted upon radical economic and social change within the context of stern Victorian sexual mores.

The 19th century gave birth to many sad statements on the “natural” position of women in society, but one of the saddest, given that it appeared in a conduct manual widely read and followed, Sarah Stickney Ellis’s 1845 publication, The Daughters Of England, is surely the following:

If, then, for man it be absolutely necessary that he should sacrifice the poetry of his nature for the realities of material and animal existence, for woman there is no excuse—for woman, whose whole life, from the cradle to the grave, is one of feeling, rather than of action; whose highest duty is so often to suffer, and be still; whose deepest enjoyments are all relative; who has nothing, and is nothing, of herself…

From this chilling passage comes the title of Suffer And Be Still: Women In The Victorian Age, a collection of essays addressing the Victorian woman edited by Martha Vicinus and published in 1972—a time when the idea that “women’s studies” might be a legitimate field of research was still fairly new, rather ridiculous, and yet somehow threatening, as is evident in the tone of Vicinus’s introduction:

…there has been a widespread distrust in the new field of women studies. Some argue that it lacks academic depth and rigor, or that there is not enough material to study, while others say that we must maintain our loyalty to a particular discipline lest we lose ourselves in an ill-defined area without “acceptable” criteria of research or clear academic standards. The most common criticism has been against research has been against research that might be biased, trivial or, worst of all, trendy. The simplest answer to such critics is that the failure to study the position of women in society and history is equally biased—and to date no standard nineteenth-century history text gives the women’s movement more than token space. With the widespread publication of books about women, past and present, and the growing acceptance of courses on women, many of these fears will be silenced. Nevertheless, the financing of women studies and research remains minimal—in part because of financial cutbacks in higher education, but primarily because of the continued refusal to take seriously the study of women as a paramount, and not merely legitimate, field of study.

With this background, it is comforting to know that Suffer And Be Still grew out of a situation of demand. A 1970 issue of the journal Victorian Studies with the theme “Victorian woman” was so successful that a second round of essays were commissioned, eventually resulting in the publication of this book. The ten essays cover a variety of aspects of Victorian life, though necessarily the topics are fragmented and unconnected, and much remains unaddressed. Among the contributors are some important Victorianists including M. Jeanne Peterson and Helene E. Roberts, as well as the feminist authors Elaine Showalter and Kate Millet, who coincidentally (or not?) co-author and author two of the essays I found most compelling and wish to consider in the most detail.

M. Jeanne Peterson’s The Victorian Governess considers the anomalous position of its title figure, a lady but not a lady, a servant but not a servant, occupying a kind of twilight zone between “upstairs” and “downstairs”. It also examines the contradictory system wherein a man’s status was indicated by how thoroughly his wife was a lady of leisure, this in turn requiring that some other woman, born in the same sphere but faced with financial necessity, give up her own claim to be a lady of any kind by finding paid employment. Peterson also makes a case that the attraction of foreign-born governesses was not the advantage of language lessons for the children but that, existing outside English society in any case, these women did not bring with them the same awkward sense of class dislocation.

In From Dame To Woman, Jane W. Stedman examines cross-dressing stage actresses in the Victorian era, but her focus is on the handling of unmarried women on the stage generally, and by Gilbert and Sullivan in particular – Gilbert being a common (and in her opinion, unjust) target of criticism for his work in this area. She demonstrates the extent to which the old maid was a figure of ridicule and opprobrium, equally for being unmarried and for wanting to get married at an “advanced” age. However, she also shows that over the latter decades of the century there was a softening of attitude, with spinsters more frequently allowed a romance and a happy ending, a greater tendency to cast unmarried women in the role of fairy godmother, and a willingness to admit that there might be female qualities of more value than the external.

One of the two slightly “cheaty” essays in this volume is Peter N. Stearns’ Working-Class Women In Britain, 1890-1914, which goes beyond the bounds of “Victorianism” in order to draw upon the increasing availability of demographic data for the first decades of the 20th century in its discussion of changing financial, social and medical conditions for working-class women during this period. This essay considers shifting patterns of residence, employment, marriage and child-bearing – noting the decrease in average family size as understanding of birth control spread, and also the increasing tendency for married women with children to nevertheless find employment, sometimes out of necessity and sometimes by choice. (I find myself thoroughly in sympathy with the woman who, questioned as to her choice to work instead of confining her activities to the home, responded: “It’ud give me the bloomin’ ‘ump.”) Overall, Stearns contends, the lot of the single woman improved during this time, with greater freedom, employment opportunities and recreational options, but that of her married sister deteriorated as ages fell, prices rose, and the economic partnership that had traditionally existed in working-class homes increasingly broke down under a variety of pressures.

Marriage, Redundancy Or Sin is Helene E. Roberts’ examination of women as depicted by artists during the early Victorian age, the vast majority of renderings falling, as she notes, into one of three categories, and too often functioning as a form of propaganda or a shying away from reality—although this was in keeping with the prevailing view of the function of art: a reviewer in the Art Journal of 1852 criticised those artists who used their work to draw attention to the darker side of life: “It is not the office of Art to present to us truths of an offensive kind; these are abundant in every-day life and it is in Art that we seek a refuge from them.” Though a few artists chose to ignore this stern warning, many took the hint and produced idealised portraits of fulfilling middle-class domesticity or, alternatively, happy cottagers living a life so increasingly far from the reality of industrialising 19th century England as to be pure fantasy. Alternatively, they produced cautionary tales showing the inevitable fate of any woman who strayed off the narrow beaten path – the most famous example being perhaps Augustus Egg’s triptych Past And Present, which centres upon an adulterous wife. A few artists did buck the system, doggedly producing confrontational pictures of either “redundant” or “fallen” women, though not without encountering resistance: when Richard Redgrave painted The Poor Teacher, showing the miseries of a governess’s life, his patron made him re-do it with happy children playing in the background, to lighten its mood (though they were by definition not the subject’s children). Other artists stuck to their guns, including George Frederic Watts, whose The Seamstress gives Suffer And Be Still its cover image.

From the idealisation of women in Victorian art we jump to a particularly grim Victorian reality in Eric M. Sigsworth and Terence J. Wyke’s essay, A Study Of Victorian Prostitution And Venereal Disease, which offers wide-ranging statistics on both of these aspects of life, and covers the introduction of, and the battle against, the Contagious Diseases Acts, which allowed for the forcible detention, medical examination and virtual imprisonment of prostitutes. This area of study repeatedly highlights the tacit acceptance of prostitution as the “maintainer” of polite society, freeing “good” women from the vile necessity of submitting to their husbands’ carnal lusts and retaining marital sex as merely for procreation. The Contagious Diseases Acts were introduced in response to the skyrocketing levels of venereal disease amongst the armed forces, yet no attempt was made to alter the behaviour of the men, merely to render the prostitutes “safer”. Similarly, those pressing for the legal power to detain prostitutes in order to prevent the infection of married women and their babies managed to leave the erring husband almost entirely out of the equation, treating the prostitute as directly responsible for the transmission of disease to the wife. A bizarre sidelight of this area of research is the related argument over whether prostitutes experienced sexual pleasure, or whether they merely “simulated” it to heighten male passion; it was believed by some that sexual desire was dormant in women until they had “fallen”; though few seemed to join Point A and Point B, namely, that married men turned to prostitutes for the enthusiasm (simulated or otherwise) they were by definition not finding at home. Resorting to prostitution was also considered less transgressive and damaging than masturbation—or as it was discreetly called (in The Lancet, of all places!), “Another evil resulting in the abomination of prematurely exhausted powers.” This article quotes copiously from William Acton’s Prostitution, Considered In Its Moral, Social, And Sanitary Aspects (1857):

    Later, Acton echoed: “I should say that the majority of women (happily for them) are not very much troubled with sexual feeling of any kind”, and, allowing for aberrant exceptions (“nymphomania, a form of insanity”), had no doubt, “That sexual feeling in the female is in the majority of cases in abeyance…and even if roused, which in many instances it can never be, is very moderate compared with that of the male.
    “Many of the best mothers, wives and managers of households, know little of or are careless about sexual indulgences. Love of home, children, and of domestic duties are the only passions they feel.
    “As a general rule, a modest woman seldom desires any sexual gratification for herself. She submits to her husband’s embraces, but principally to gratify him; and, were it not for the desire of maternity, would far rather be relieved from his attentions…”

(Yeah, baby… Nothing gets me hot and bothered like “domestic duties”…)

Much of the rest of Suffer And Be Still is devoted to the profoundly contradictory Victorian views on the nature of women and the relations of the sexes. The question of female sexuality was obviously a deeply troubling one, informing a set of life-rules for young women that were simultaneously hilarious, bewildering, and just plain cruel. Even supposedly scientifically-based studies of biology managed to conclude in justifications of a social system that confined women to the home and severely limited their activities and opportunities. Again and again academic studies showed signs of insight and advanced thinking, only suddenly to contract upon themselves in an explanation of why the existing social arrangements were biologically pre-determined.

Jill Conway’s Stereotypes Of Femininity In A Theory Of Sexual Evolution examines the work of some of the leading figures in sociology during the late Victorian period. At this time physiology and genetics were imperfectly understood, allowing academics to fill out the interstices in general knowledge with their own particular prejudices. Biological explanations for the “natural” inferiority of women were sought, and the idea that a woman’s primary function was reproduction, and that all her other functions, mental and physical, were subservient to the development and maintenance of her reproductive organs, recurs again and again. According to Herbert Spencer in his The Study Of Sociology, for instance, sex differences were the result of, “A somewhat earlier arrest of individual evolution in women than in men, necessitated by the reservation of vital power to meet the cost of reproduction.” In The Evolution Of Sex, Patrick Geddes argued for distinct metabolic processes between the sexes, “katabolic” in the male and “anabolic” in the female: the former transmitting or dissipating energy, that latter conserving and storing it. Under this theory, “The hungry, active cell becomes flagellate sperm, while the quiescent, well-fed one becomes an ovum.” In the developed human, men were necessarily active, and women passive. Social structures which kept women in the home were an evolutionary determinant geared towards ensuring that women conserved the energy necessary to reproduce. A few years later, Leonard T. Hobhouse rejected many of Geddes’ arguments in Morals In Evolution, yet managed to come up with a competing theory that still kept women in the home, namely, the necessity of “reconciling” them to their fate by convincing them that, “Motherhood of the healthy and capable [was] a form of social service.” Pre-determination had been ceded, but women still weren’t making it out the front door…

The desire to stop women expanding their lives also fuelled one of the most peculiar Victorian arguments about female biology, as is considered in this volume’s second “cheaty” essay— “cheaty” because although it stays within the broader boundaries of Victorianism, it finds it necessary to cross from England to America in order to gather some of its materials. Co-authored by Elaine Showalter and her husband English, Victorian Women And Menstruation examines the co-opting of female biology by male doctors as part of the effort to prevent women having access to higher education. The early stages of the essay are devoted to emphasising just how little was understood about the process in question, and how long a variety of bizarre myths were believed and propagated. Like “wet dreams”, menstruation was regarded as a disease and treated accordingly; as the century wore on, there was greater and greater insistence upon regarding it as a debilitating condition. In 1869, addressing the Anthopological Society of London, James MacGrigor Allan, an author and prominent antifeminist, had this to say upon the subject:

At such times, women are unfit for any great mental or physical labour. They suffer under a languor and depression that disqualify them for thought or action, and render it extremely doubtful how far they can be responsible beings while the crisis lasts. Much of the inconsequent conduct of women, their petulance, caprice, and irritability, may be traced directly to this cause… Michelet defines woman as an invalid; such she emphatically is, as compared with man. In intellectual labour, man has surpassed, does now, and always will surpass woman, for the obvious reason that nature does not periodically interrupt his thought and application.

And as the century wore on, the clamour grew ever louder—not without an underlying agenda. As women agitated for change, demanding greater access to education and even to careers, the medical profession fought back with lengthy treatises explaining why their own biology made it impossible.

The main focus of this essay is the publication in 1873 of a book called Sex In Education, which was devoted to arguing that higher education for women destroyed their reproductive capacity—if not their entire lives. The author of this remarkable work was Dr Edward Clarke, a professor at Harvard; his argument (by no means unique to himself, astonishingly) was that education – too much thinking, in other words – “diverted” the blood flow from the reproductive organs to the brain, causing the former to shrivel and die.

(There were a variety of reactions to Dr Clarke’s treatise, as we shall see. Disappointingly, no-one seems to have inquired into whether higher education for men led to an epidemic of “shrinkage”.)

Clarke’s book was leapt upon by others with a similar agenda. Henry Maudsley, a leading British psychiatrist, used it to attack female aspirations across the board—for women’s own good, of course: “Women are marked out by nature for very different offices in life from those of men, and that the healthy performance of her special functions renders it improbable she will succeed, and unwise for her to persevere, in running over the same course at the same pace with him,” he wrote in 1874, adding that this was true even if women never married or had children. Their physiology was a fundamental, inescapable handicap: “[Women are] for one quarter of each month during the best years of life…more or less sick and unfit for hard work.”

But the barriers that these men were so desperate to keep in place were already crumbling. There were already female doctors and social scientists, and a number of them made sharp attacks upon the arguments of Clarke, Maudsley and their ilk—in the process dragging menstruation out of the mire of myth and into the light of common knowledge.

The ongoing argument was mostly confined to the predominantly masculine world of medical and scientific journals and societies – menstruation being regarded, of course, as a subject unfit for women – but Henry Maudsley made the tactical error of publishing his thoughts in the Fortnightly Review, thus opening it up to public debate. A doctor called Elizabeth Garrett Anderson published a rebuttal of Maudsley in the next issue of the magazine, contending both from personal and professional experience that the debilitating effects of menstruation were “much exaggerated” by male doctors. In particular, she pounced upon the blatant class bias inherent in their arguments, pointing out that working-class women were hardly known for taking “complete bed rest” for a week each month, as was often prescribed as necessary for their middle-class sisters. Nor were female servants in those very same middle-class households generally given any dispensation from their duties (which presumably included waiting on their incapacitated employers) at that time. Meanwhile, back in America, a women’s health manual called Eve’s Daughters by Marion Harland countered the “bed rest” brigade with admirable common sense, prescribing instead ginger tea and hot water bottles if necessary, backed up by warm encouragement to go on with life as normally as possible.

Yet Clarke’s book threw a long shadow. In 1908, M. Carey Thomas, president of Bryn Mawr, reflected upon her own encounter with it in her youth:

“We did not know when we began whether women’s health could stand the strain of college education. We were haunted in those days by the clanging chains of that gloomy little spectre, Dr Edward H. Clarke’s Sex In Education. With trepidation of spirit I made my mother read it, and was much cheered by her remark that, as neither she nor any of the women she knew, had ever seen girls or women of the kind described in Dr Clarke’s book, we might as well act as if they did not exist.”

As with this debate over menstruation, much Victorian thought on the subject of female sexuality was a matter of trying to reconcile reassuring theory with upsetting practice. Various sociological models at the time centred around the constructs known as Homo Economicus and Homo Sensualis and the tensions between these two “sides” to human – meaning male – nature. In Innocent Femina Sensualis In Unconscious Conflict, however, Peter T. Cominos is concerned with the female counterparts of these constructs, Femina Domesticus and Femina Sensualis. In both sexes, in addition to the overt conflict between Economicus / Domesticus and Sensualis, the Sensualis construct was also divided and in conflict, with tension between the “higher” part of human nature – reason, conscience, duty – and the “lower” – bodily appetites, including sexual desire. The very idea that women had bodily appetites was disturbing to many Victorians, and much effort was put into reconciling this distasteful idea with the prevailing belief in “natural” female innocence. Innocence itself was almost a tangible thing, to be preserved at all cost. Once it was lost – and at this time, “loss of innocence” meant not loss of virginity, but simply the acquisition of certain knowledge – purity was gone forever and corruption the inevitable consequence. But what of that troubling Femina Sensualis? Nature, it was argued, protected girls from their “animal” natures by making them ignorant that they existed in the first place; unaware that there was such a thing as desire, they surely could not feel it. Here we have the most consoling answer to the troubling questions highlighted in A Study Of Victorian Prostitution And Venereal Disease: namely, that women could experience sexual desire, but as long as they did not know they could, they were safe.

Ridiculous as all this might seem to us, it wasn’t funny for the frightened and mortified girls who found themselves experiencing feelings which, it had been drummed into them, were low, shameful and corrupting. Really good girls, it was contended, though not of course recognising evil of their own knowledge, had an instinct which intervened in time to prevent them from gaining such knowledge. If you did not have such an instinct, if certain thoughts and feelings made their way into your consciousness, you were “soiled” forever.

We have met Elizabeth Missing Sewell at this blog before, in my consideration of the 19th century religious novel: you might recall her as a proponent of the theory that the best way for young women to live was to submit themselves utterly to the authority of fathers, husbands and/or brothers, immerse themselves in religious practice, and never, ever think or act for themselves. This being the case, it is hardly unexpected to find her also weighing in on the subject of the “protective instinct”: Cominos quotes from her Principles Of Education (1865), which has a chapter titled “Purity”:

“If a girl’s mind is not pure,—if her own instincts are so blunted that she cannot feel evil before she can explain it,—if she cannot shrink from it without knowing why she does so,—may God help her! for the wisest safeguards which the best friends may provide for her will never be sufficient to secure her from danger.”

We are not much surprised when Peter Cominos also starts quoting William Acton in this context, nor to find that he was a believer in the desexualised “angel in the house”. According to Acton, a “good” woman’s lack of desire was intended to help men control their own, more “animalistic” natures. The problem was that too many boys got their ideas about sex from “loose” women: “Any susceptible boy is easily led to believe, whether he is altogether overcome by the siren or not, that she, and therefore all women, must have at least as strong passions as himself.” Acton goes on to excoriate prostitutes for “simulating” sexual feelings, thus further propagating “false” ideas of female nature which were carried into the marital bed with tragic consequences. Remarkably, it seems that Acton was so set against the notion of women being capable of sexual pleasure that he was reluctant to concede that even prostitutes might experience it: one of his main purposes in writing on the subject, he explains, was to, “Vindicate female nature from the vile aspersions cast on it by the abandoned conduct and ungoverned lusts of a few of its worst examples.”

Comments Cominos wryly:

The contrast with ladies is simply marvellous. They were alleged to have no physical desire to control so long as their innate “island of innocence” was kept pure by the proper surveillance of mothers and chaperones and by the sense of shame which every manifestation of their own erotic desire aroused. Theoretically and ideally, gentlemen were to be masters of themselves, responsible and self-controlled; ladies had nothing to master or to be responsible for and were to be controlled or “protected” by others. Thus, in the Victorian battle of the sexes, women were disarmed of the weapon of their sexuality. Gentlemen imposed unilateral disarmament upon them which they simultaneously denied doing through the theory of female sexual anaesthesia.

Over the course of the 19th century, arguments over the “true” nature of women became more and more public; the two extremes of the conflict are the subject of Kate Millet’s essay, The Debate Over Women: Ruskin vs Mill, in which she considers the irreconcilably polarised views of women to be found in their definitive publications on the subject, John Ruskin’s own essay, Of Queen’s Gardens, and John Stuart Mill’s ground-breaking The Subjection Of Women.

Of course, given what we know these days about the ins and outs of the Ruskin marriage—or rather, the lack of ins and outs of the Ruskin marriage—the idea of John Ruskin setting himself up as an expert on women seems rather ludicrous; though of course, in his writings he was very much concerned with theories of the ideal woman.

Ruskin was a profound believer in “separate spheres”: he was in favour of female subjection, denial of education, and of an existence confined entirely to the home; not that he phrased it quite as bluntly of that. Instead he dresses it all up in the language of fairy-tale and chivalry – every woman is a “queen”, every man her loyal subject; instead of pernicious “rights”, she has “a natural power” – her innate moral superiority acted as a guide and an inspiration for men; her duty was to build, less a mere home, more a magical fairy-bower, which could act as an impenetrable barrier against harsh reality, and into which men could retreat. Where this system failed, it was because women did not appreciate the power they wielded over men, which was nothing less than “royal” in its extent; her home was not merely a home, but a “realm” which she “ruled”. If only women realised this and were content, instead of striving for empty acquisitions which could only breed dissension and cause unhappiness – !

Each [sex] has what the other has not; each completes the other. They are nothing alike, and the happiness and perfection of both depends on each asking and receiving from the other what the other only can give… The man’s power is active, progressive, defensive. He is eminently the doer, the creator, the discoverer, the defender. His intellect is for speculation and invention; his energy for adventure, for war and for conquest… But the woman’s power is for rule, not for battle and her intellect is not for invention or recreation, but sweet ordering, arrangement, and decision. She sees the quality of things, their claims and their places. Her great function is praise; she enters into no contest, but infallibly adjudges the crown of contest. By her office and place, she is protected from all danger and temptation…

Ah, yes— “temptation”—that spectre lurking just outside the door, which threatened to destroy any woman foolhardy enough to step over her own threshold, in spite of that moral superiority of which we hear so much… It is, in fact, painfully evident that John Ruskin had bought into the most fundamental contradiction of Victorian life: the belief that men were crude, animalistic, and irreversibly soiled by being forced to contend with the world—yet at the same time inherently superior and in a position of natural authority; whereas women were pure, spiritual, strong and superior in their innate morality—yet at the same time weak, vulnerable and liable to instant and profound corruption, and so in need of constant supervision.

In the course of his own comprehensive examination of the position of women in society, John Stuart Mill has a few choice words to say about this paradox:

[Women] are declared to be better than men; an empty compliment which must provoke a bitter smile from every woman of spirit, since there is no other situation in life in which it is the established order, and considered natural and suitable, that the better should obey the worse…

The Subjection Of Women is a sweeping denunciation of the beliefs and practices most cherished by the Victorians. Mill attacks on every front: the law, education, home life, religion, finance, social theory; everything that contributed to a power imbalance between the sexes that, he contends, was not only unjust and brutalising in itself – to both sexes – but which was preventing society as a whole from achieving its potential. The “natural” differences between men and women, on which the “necessary” subjection of the latter is generally predicated, are a particular bugbear:

Standing on the ground of common sense and the constitution of the human mind, I deny that anyone knows or can know, the nature of the two sexes, so long as they have only been seen in their present relation to one another… What is now called the nature of women is an eminently artificial thing—the result of forced repression in some directions, unnatural stimulation in others…

All women are brought up from the very earliest years in the belief that their ideal of character is the very opposite of that of men: not self will, and government by self control, but submission, and yielding to the control of others…

Mill sums up his thesis as follows:

That the principle which regulates the existing social relations between the two sexes—the legal subordination of one sex to the other—is wrong in itself, and now one of the chief hindrances to human improvement; and that it ought to be replaced by a principle of perfect equality, admitting no power or privilege on one side, nor disability on the other…

Comparing Of Queen’s Gardens and The Subjection Of Women, it is almost impossible to grasp that they were the work of men exposed to essentially the same experiences and influences. Reading John Stuart Mill, the lasting impression one gains of him is not merely that he was ahead of his time, but that he was from another planet.

Which is also – more or less – the conclusion reached by Kate Millet:

It is hard to believe that Mill and Ruskin are discussing the same subject—or, that since each claims to have the best interests of womanhood at heart—that one of the two does not prevaricate.

She then pens three words that very nearly manage to sum up the bewildering and contradictory views of the Victorians on that most difficult of subjects, Woman:

Both are sincere.


Speaking of evangelicalism…

I always enjoy it when my reading threads accidentally cross.

Having completed my post on Bernard Leslie, I relaxed with my current read, Vineta Colby’s Yesterday’s Woman: Domestic Realism In The English Novel. Although I have my problems with Colby’s style, I like the fact that she gets off the beaten track when examining the 19th century novel. In this particular study she examines the novel’s shift from romanticism to reality during the first half of the century.

After discussing “the fashionable novel” and “the novel of education”, Colby gives us a lengthy chapter on “the evangelical novel”, which in the context of Bernard Leslie and William Gresley’s use of “Evangelical” offers yet another way of thinking about this most fluid of terms. She uses it, most deliberately, with a small ‘e’ – “evangelical” – to indicate not a form of religious belief or practice, or even a religious party, but an attitude, an approach to religion:

The English church of the Victorian period was Protestant. Beyond that simple declarative statement it is impossible to make any generalisation about Victorian religion that cannot be seriously challenged. The stability, tranquillity, and homogeneity so often and so wrongly attributed to the Victorian age was nowhere more vulnerable and tenuous than in matters of religious belief. The half century from 1800 to 1850 that saw the passage of the Catholic Emancipation Act and the first Reform Bill, the flourishing of the Claphamite sect and the Oxford Movement, the evolution of Evangelicalism and Dissent from the status of radical fringe to solid respectability, the emergence of textual criticism and revisionism in biblical study, and open expression of scepticism and even atheism, was a period of religious ferment and turmoil less violent but no less dramatic than the Reformation…

The strongest religious force in nineteenth-century English life was evangelicalism. This term is to be understood in its broadest sense, referring not merely to that school of Protestantism which, by dictionary definition, maintains that “the essence of the Gospel consists in the doctrine of salvation by faith in the atoning work of Christ, and denies that either good works or the sacraments have any saving efficacy,” but to the many movements of religious enthusiasm and reform that swept through every Christian denomination. Victorian evangelicalism…was all but ecumenical in spirit if not in fact…

Evangelicalism embraced not only the entire spectrum of Protestant belief but also the widest social scene. It cut across class divisions and barriers that no political revolution could have trampled. Emphasising practical morality and philanthropy rather than theology, directed primarily to the emotions rather than to reason, it appealed to all ages and all classes…

The nineteenth century began with revolution in France, a tired and debauched monarchy in England, a starved and exploited working class both in the farms and in the industrial towns, massive drunkenness, prostitution, and crime. By the middle of the century, social and moral reform had swept England. No historian of the period underestimates the importance of evangelicalism in that reform movement…

Take THAT, William Gresley!

Of course, Gresley himself would no doubt argue that all this is quite irrelevant beside the Evangelical rejection of the sacraments; that all the people helped by reform and perhaps converted by Evangelical zeal are going to hell anyway, because they’re being taught the wrong doctrine. (I keep getting a mental image of an exasperated individual stamping his foot and saying crossly, “No, no, no! – that’s not how you do religion!”)

But as Vineta Colby makes clear in her introduction, we are talking here about emotional evangelicalism: a definition that allows her to classify together the novels of an amazingly disparate group of writers. Colby is uninterested in straight doctrinal “novels” like Bernard Leslie and Steepleton, whether they be for or against Evangelicalism, focusing instead upon the increasingly popular domestic-evangelical school of writing, a female dominated sub-genre of the religious novel:

We may therefore stretch the designation “evangelical novel” to embrace the extremes from Low Church to High, from Charlotte Elizabeth (Mrs Tonna), whose passionate anti-Catholicism made her positively regret her missed chance for Protestant martyrdom (as a child inspired by “that magic book” Foxe’s Acts And Monuments, she asked her father if she might someday hope to become a martyr; “Why, Charlotte,” he replied, “if the government ever gives power to the Papists again, as they talk of doing, you may probably live to be a martyr”), to Charlotte Yonge, whose Anglo-Catholicism inspired her to translate the intellectual issues of the Oxford Movement into romances of daily life that enchanted several generations of readers. In between we may include novelists of every variety and sect—Methodist, Presbyterian, Low-Broad-High Church. Even Roman Catholic converts like Lady Georgiana Fullerton and John Henry Newman wrote novels with the same zeal and fervour though for a different faith. And a Jewish novelist, Grace Aguilar, was evangelical, affirming in her Preface to Home Influence: A Tale For Mothers And Daughters that Christian readers need not fear: “…as a simple domestic story, the characters in which are all Christians, believing in and practising that religion, all doctrinal points have been most carefully avoided, the author seeking only to illustrate the spirit of true piety and the virtues always designated as the Christian virtues hence proceeding. Her sole aim with regard to Religion has been to incite a train of serious and loving thought toward God and man, especially toward those with whom he has linked us in the precious ties of parent and child, brother and sister, master and pupil…”

Call me crazy, but right now a religious novel in which “all doctrinal points have been most carefully avoided” seems strangely attractive…


Bernard Leslie; or, A Tale Of The Last Ten Years

gresley1“Depend upon it, we cannot too closely conform to the direction of the Church. Nothing can be so preposterous as the custom of the present day, to preach against ordinances, when they are so lamentably neglected. It almost looks as if clergymen wished to drive away their congregation on the festivals, in order that they may not have the trouble of performing the service. And then to enlarge on spiritual worship, as if the two were adverse, or incompatible one with the other; whereas the express object of Christian ordinances is to raise the soul to spiritual things. For what do we commemorate the deeds of saints and martyrs, but that, by the contemplation of their zeal, and faith, and holiness, a spirit of emulation may be kindled in our own dull souls? For what do we follow the steps of our blessed Saviour and the prophets and apostles, in frequent fasting and prayer, but that we may inure our souls to self-denial, and raise them above the carnal vanities of life? Have the Christians of the nineteenth century any right to think that they can safely dispense with aids to devotion which the holiest of men in all ages have employed? I am convinced,” continued Mr Manwaring, rising from his seat and speaking with more than usual energy, “I am convinced that our people are perishing by thousands, from the neglect of the means of godliness prepared for them in the Church. This is the grand stumbling-block of the Evangelicals, and is the cause of the comparatively small effect of their exertions upon the masses of the people. Much as I respect the zeal with which they have brought forward many vital and peculiar doctrines, I must freely say, that, practically, they have entirely failed in accomplishing any great amount of good. Their work is hollow and insubstantial, and will not endure the fiery trial.”

It’s my own fault, of course.

When I realised in the course of Stephen Jenner’s Steepleton; or, High Church And Low Church that the novel had been written in response to an earlier, factionally-opposed work, it seemed to me that in the interests of fair play I was obliged to give that earlier work equal air-time. The work in question, Bernard Leslie; or, A Tale Of The Last Ten Years, is a Tractarian manifesto by one of the first people to recognise that the novel could be powerful and far-reaching vehicle for the dissemination of doctrinal positions. William Gresley was already the author of several successful non-fiction works on church history and practice when he turned to fiction as a way of broadening his audience. A number of his works were intended for a younger audience (what we would today call “young adult”), and use tales from history to entertain and preach, but his Bernard Leslie is an unapologetic polemic intended to explain, on one hand, not merely the content of the controversial Tracts For The Times, but their essential rightness, and on the other the many doctrinal and practical failings of the faction that Gresley chooses to call “Evangelical”.

Having struggled through both Bernard Leslie and Steepleton, I have to say that my sympathies are with the Low Church faction. At least Stephen Jenner pretended to be writing a novel for about 50% of his work, before dropping the façade of fiction and lecturing me unmercifully about the treacherous proceedings of the Tractarians and, conversely, the doctrinal soundness of the Low Church. William Gresley, on the other hand, is not even a quarter of the way into his 300-page work before he strips off the gloves.

Bernard Leslie and Steepleton are written on almost exactly the same scheme; a deliberate move on the part of Stephen Jenner, no doubt. Both novels follow a young man through his early education (the only thing that Gresley and Jenner agree on is that education at the time was grossly inadequate, both generally and particularly as a preparation for ordination), his first church appointments, and his subsequent rise to prominence as an advocate for his doctrines. Both start out with their protagonist declaring that he belongs to no faction; after joining a clerical society, eye-opening encounters with various fellow-clergymen, and much reading and reflection, the young ministers eventually come down on one side of the factional fence, though of course Bernard Leslie and Frank Faithful end up on opposite sides. Both works depict their minister-heroes as the personification of correct doctrinal practice. Both devolve into a series of long, hectoring lectures intended to support one position and undermine the other.

(The other thing these novels have in common is their attitude to women, who are essentially invisible in both. Like Frank Faithful, Bernard Leslie marries—and her bare existence is all we ever hear of Mrs Leslie, although her husband takes the opportunity to expound for a full chapter upon the question of whether clergymen should marry.)

It is unclear how much of Stephen Jenner ended up in Steepleton, but Bernard Leslie is clearly a semi-autobiographical work. Ironically, neither William Gresley nor his literary counterpart set out for a career in the church. Here, we are offered only the cryptic comment, Owing to circumstances which need not be detailed, the plan originally laid out for me by my father was abandoned; in reality, Gresley suffered an injury which damaged his eyesight and compelled him to give up his plans to become a barrister: the church was his second choice.

Since Gresley did not condescend to anything as prosaic and unnecessary as “a plot”, his Bernard Leslie is not really a reviewable work. That said, several things did leap off its pages at me, in addition to those issues which Stephen Jenner specifically highlighted in Steepleton—or, more correctly, wrote Steepleton in order to highlight. I think all I can do here is point out what particularly struck me on the way through.

The first thing, perhaps the most significant thing, is William Gresley’s choice to designate his opponents under the title “Evangelical”. Here immediately I stumble into difficulties, because – heaven knows! – I’m no expert in the finer points of the hair-splitting 19th century religious vocabulary. (For example, I’m still trying to figure out why “Puseyism” is a derogatory term.) However mistakenly, I was under the impression that “Low Church” and “Evangelical” were not necessarily interchangeable terms, though there was certainly overlap; although the difference was perhaps one of attitude rather than doctrine.

It seemed to me that by his blanket use of “Evangelical”, William Gresley was unfairly bundling some disparate factions together under a single heading in order to dispose of them collectively with a sometimes misapplied but sweeping condemnation—and I received some support for my uncertain views from some unexpected quarters, in the first place from William Gresley himself, in what struck me as a piece of revealing disingenuousness.

The contentious question of the correct response to the Tracts For The Times raises its head in the district in which Bernard Leslie’s first curacy is situated. The Evangelicals want them denounced, but a High Church clergyman named Mr Manwaring, who becomes Leslie’s doctrinal mentor and the novel’s voice of High Church reason, compels the Tracts’ enemies to admit publically that they haven’t read them. (I don’t have any trouble believing that was frequently the case.) This admission shocks the still-naïve Leslie, who responds by obtaining and studying the Tracts under Mr Manwaring’s tutorage—on the whole embracing them, occasionally pointing out passages which seem to go too far, or act as the expression of a personal opinion rather than church opinion. The first of several chapters devoted to the contents of the Tracts is also where the word “Evangelical” begins to intrude upon the narrative, and concludes with the following footnote:

There is an obvious objection to use a word of so excellent a meaning as “Evangelical” to designate a mere party. There seems, however, no alternative but the substitution of some offensive nickname. I have thought it better, therefore, to employ a word which conveys to all persons the notion which is meant to be expressed, and is not offensive to the party to whom it is applied: though of course I should maintain that High Churchmen are the most truly evangelical, in the right sense of the word,—that is, they keep to Gospel-truth more strictly than others.

Presumably the “offensive nickname” that Bernard Leslie chose not to use was “Low Church”: we may recall that in Steepleton, in all likelihood provoked by this very quote, Stephen Jenner has his Frank Faithful take to himself the term “Low Church” as a badge of honour: Now it is an undeniable fact, which is of great moment in this inquiry, that the appellation “High Church” is assumed—the designation “Low Church” imposed: the one is arrogantly claimed—the other meekly borne.

We might dismiss all this as a fairly childish exchange of name-calling except that, most tellingly, two contemporary publications that embraced Bernard Leslie, both of them unabashedly High Church, to say the least, each expressed unease at the novel’s use of “Evangelical”—indicating that the substitution was indeed a misapplication of the term.

The Gentleman’s Magazine was a publication that lasted for almost 200 years, appearing in monthly issues from 1731 to 1922. During that time it changed content and approach several times, and in the first half of the 19th century was openly a Tory / High Church publication that campaigned against reform and “liberalism” and supported the Tractarians during the controversies of the Oxford Movement. Indeed, so devoted was it to its cause that in its review of Bernard Leslie, which appeared in the August 1843 issue (and must have been of the second edition), it finds itself capable of praising the author in the following terms: He understands the art of composition, and can impart his knowledge in a lively, dramatic form, without weakening its effect, or impairing the dignity of its subject…

If I were to make a list of words that do not describe Bernard Leslie, “lively” and “dramatic” would be somewhere near the top of it. However, doctrine is the real issue. The magazine’s praise is almost unstinting, but even so, evidently a squirm of conscience prompted the reviewer to observe in a footnote: The term “Evangelical,” it has been by some observed, is a misnomer…

And footnotes also intrude in a far more surprising context: The Christian Remembrancer was a High Church magazine that ran from 1819 to 1868, and a prominent vehicle for the leading Tractarians. In the July 1842 issue, Bernard Leslie is one of the works considered at length as part of an examination of “the great movement”: lengthy quotations are included, and Gresley is praised for his clarity of argument and his handling of the Tracts, in particular his ability to distinguish issues, and to separate doctrine from opinion. Yet even here, a caveat suddenly appears: The truth of this remark of course depends upon the sense in which the party term “Evangelical” is used…

Startlingly in some respects, the article in which Bernard Leslie is examined is titled “The Progress Of Anglo-Catholicism”—and startling, too, at least from certain perspectives, is the novel’s attitude to Catholicism, which is declared to be correct in its essentials: it is the Evangelicals who are the enemy, not the Catholics, who have simply, and rather foolishly, allowed a crust of human arrogance to overgrow correct doctrine and appropriate submission to church authority. “Dissenters—Wesleyans, for instance, or Socinians, or Papists, who as we believe, are born and educated in an erroneous system,” declares Mr Manwaring, and so are not to be blamed for their errors, which are circumstantial. The Evangelicals, on the other hand, have with eyes wide open chosen to reject many of the church’s traditional beliefs and practices, and are consequently damned.

My own use of the word “traditional” evokes an involuntary shudder. Even as in Steepleton Stephen Jenner devoted pages to the implications of “hereby” and “thereby”, here William Gresley, via Mr Manwaring, gives us a painfully lengthy and detailed explanation of why “tradition”, often a term of abuse applied to Catholicism and a way of summing up everything wrong with that religion, is actually a good and right thing:

    Mr L. “I begin to think that no satisfactory conclusion can be arrived at, unless we have a regular logical definition of tradition, or at least a mutual understanding as to what it means. Will you tell me, dear sir, what tradition really is?”
    Mr M. “I will endeavour to do so. You are quite right as to the importance of settling the meaning of the term. To have done so would have saved the controversialists a great deal of unnecessary trouble:—To begin, then, secundum artem. Tradition, as I need scarcely remind you, is derived from the Latin word trado, which signifies ‘to hand down’. But it is important to observe, that the English word tradition answers to two Latin words, traditio and traditum. Tradition (traditio) is the act of handing down; a tradition (traditum) is a thing handed down. Now the modes of handing down are various. A thing may possibly be handed down from generation to generation by mere word of mouth, and never committed to writing; or it may be handed down in writing; or it may be handed down for two or three generations by word of mouth, and then committed to writing…”

And so on.

Of course, within the context of the Oxford Movement this stance towards Catholicism is not surprising at all: at the very heart of the movement was a revival of traditional practices, and the propagation of the idea of the Established Church as a truly “catholic” body. However, when you have become accustomed to the bitterly hostile anti-Catholic voice that marks so much English literature over a period of some three hundred years, this sudden apparent embrace of Catholicism is jolting, to say the least. On the basis of Bernard Leslie, it is certainly not difficult to understand why the enemies of the Tractarians declared them to be, in truth, “backdoor Catholics”.

In addition to its examination of the Tracts, much of the narrative of this novel concerns the young minister’s efforts to revive various traditional church practices that have been allowed to fall to the wayside under the wicked influence of the Evangelicals. When he is appointed as rector of a parish, Leslie finds things in a deplorable state:

My two predecessors had been, the one, I am sorry to say, negligent in his duties, and the other, who succeeded him, not possessed of a zeal according to knowledge, but one who considered the feelings of the times, rather than the ordinances of the Church, to be the ground of his operation. Many of the practices which he had introduced into the parish were directly opposed to the rubrics and canons…

Deciding that he might as well start as he means to continue, Leslie revives in his parish various discarded practices including fasting, the observance of feast days and daily prayer, re-orders his services with respect to the sermon, psalms and prayers, and introduces a weekly lecture which he uses to explain himself to his bemused parishioners; who, once they understand why these things have been done, embrace them wholeheartedly. (Even The Gentleman’s Magazine found this instantaneous conversion somewhat improbable.) For a while Leslie has things all his own way:

Fortunately, there had not then arisen that wicked newspaper-agitation, which represents conformity to the ordinances of the Church as popery, and the minds of my parishioners had not been poisoned. At the present time, in consequence of the ignorant prejudices of some, and sinful misrepresentation of others, it is very doubtful whether a clergyman who conscientiously acted upon the established order of the Church would not be in danger of offending, or even driving from the Church, many unstable and ill-instructed persons…

But there is one group looking on in deep disapproval—

These were the Dissenters, who abounded in the parish when I arrived there, but, I am thankful to say, have since much diminished in numbers. Manifold were the expedients to which they resorted in order to prejudice me in the eyes of the congregation. Of course, the principal charge against me was, that I was an abettor of popery. What could be so popish as to keep fasts and festivals? What so uncharitable as to revive the Anathasian Creed? What so monstrous as the doctrine of apostolic succession, which unchurched all those who did not belong to the Establishment? Then there was the soul-destroying heresy of baptismal regeneration…

(I have been re-reading The Last Chronicle Of Barset, in which it is observed of the fiercely Evangelical Mrs Proudie – no problem with designating her an Evangelical – that, Services on saints’ days she regarded as rank papacy, and had been known to accuse a clergyman’s wife, to her face, of idolatry, because the poor lady had dated a letter, St. John’s Eve.)

Ah, yes—baptismal regeneration. You might recall that Steepleton devoted three whole chapters to arguing the Low Church stance on baptismal regeneration, clearly in response to what had been said on the High Church position in Bernard Leslie. This was one of the critical divisions between the factions, which (to put it simply and superficially) disagreed on the necessity of baptism, or rather upon whether or not the ceremony did in fact confer “regeneration”. Leslie’s own researches lead him to conclude that baptism is absolutely necessary, that the ceremony cleanses the child of original sin, and that, in suggesting that, “Our Church, in calling baptised children regenerate, speaks the language of charity…she expresses her hope and trust that the baptised person possesses, or, through God’s grace, at some future time may possess, the requisite qualification”, Mr Flavel, an Evangelical who has had great influence upon Leslie up to this point, is either misinterpreting the text or guilty of deliberate sophism. It is upon this point that Leslie turns his back upon Flavel and his followers:

I verily believe it was this discussion about the doctrine of regeneration that saved me from Evangelicalism, into which I was fast descending. I had  been struck with the usefulness and apparent zeal of Mr. Flavel, and others of his way of thinking,—had made him my counsellor, and adopted many of his views. But this discussion staggered me. I did not for a moment consider Mr. Flavel as dishonest; but I thought there must be some strange perversion of the understanding which could explain away the scriptural doctrine held by the Church of baptismal regeneration. If Mr. Flavel could so palpably distort the language of our formularies, supported as they were by Scripture, in one instance, how could I trust his advice in other matters?

And henceforth Leslie studies at the feet of the High Church Mr Manwaring.

The suggestion that the Evangelical Mr Flavel had been guilty of “palpably distort[ing] the language of our formularies” was another thing pounced upon by Stephen Jenner in Steepleton, who retaliated by accusing William Gresley of misunderstanding – or misquoting – the Catechism, in order to support his views on baptismal regeneration; arguing – at great length – that the substitution of “thereby” for “hereby” alters the entire thrust of the very passage he is quoting to make his case.

Be that as it may— We left Bernard Leslie about to have a smackdown with the Dissenters in his parish, who accuse him of “popery” when he reintroduces what he considers to be sound High Church practices:

But the principal cause of their anger was the progress which Church-opinions made, and the secession of some of their own members from the meeting-house. All these things gave ample scope for discussion in a small community like that of High Kirkstall. I was attacked several times, with some bitterness and scurrility, in the radical papers; but of this I took no notice. Tracts and handbills were spread profusely amongst my congregation, though without much effect. I might well have declined to answer them. But as I believed the Dissenters themselves to he a portion of that flock over which, as parochial minister, I was by the providence of God appointed, I thought it a good opportunity, in preference to preaching in the church, where the Dissenters would not hear me, to draw up my views on the subject in the form of a tract or pamphlet, which I circulated amongst them.

What follows is a sixteen-page-long argument against the dissenting stance, which attracted enormous attention at the time of Bernard Leslie‘s publication, to the extent that it was finally reprinted and disseminated as a tract in its own right.

Meanwhile, we also get an illustration of William Gresley’s indulgent view of Catholicism. A new curate arrives in the parish, a Mr Monkton (subtle!), who is devout and hardworking, granted, but who horrifies the congregation and dismays Bernard Leslie by wearing a cassock-like coat, making the sign of the cross, shaving his head to produce a tonsure, and substituting wafers for the wheaten bread generally used during communion. All of these things, however dangerously Papist at first glance, turn out to be some of those silly human additions of which the Catholics are guilty, not wicked but unnecessary and confusing for the congregation. Between scolding and argument, a chastened Mr Monkton is shown the error of his ways, and as a consequence settles down to become a good churchman. (It is, it is clearly implied, just that easy to convert Catholics, if only someone would take the job on!)

Having won over both the Dissenters and the Catholics to his way of thinking, Bernard Leslie then takes on his chief enemies: the conclusion of this novel is a diatribe against the Evangelicals. Many and varied are the ways in which they err, we learn, and somewhat curiously, given the stereotype of the joyless, hectoring, hard-line Evangelical (see also: Mrs Proudie), it seems that their main sin is that they leave their parishioners too much to themselves, and allow too much to depend upon the experience of the individual. Their faith is placed, literally, in personal conversion; it is in conjunction with this that the importance of baptismal regeneration is downplayed. All of this, in Bernard Leslie’s view, is not just wrong but deeply sinful: the Evangelicals are leading their followers into damnation by not “claiming” them at the time they are born, and holding them hard to a single way of proceeding from there. (And if that sounds very much like the Jesuit aphorism, Give me a child until he is seven—, well, I’m sure it’s only a coincidence.)

And here, I think, the problem with the dodgy definition of “Evangelical” rears its head in earnest:

I maintain, therefore, that the unsound and defective views, which I have specified as characteristics of the Evangelical party, are shared by all who belong to that party. All Evangelicals are unsound in the doctrine of baptismal regeneration, and in the doctrine of the one Catholic and Apostolic Church. Not one only here and there, but all. All confound the doctrine of the visible Church with the communion of saints; and all refuse to receive, in its true and natural sense, the doctrines of the Church respecting baptism. All, more or less, exalt the doctrine of justification by faith, to the disparagement of other great doctrines,—though some more than others. All cry down ordinances, and more or less neglect the fasts and festivals appointed by the Church. It is these characteristics which constitute the Evangelical party. Those who do not hold these views are not Evangelicals.

But our friend Bernard is only getting warmed up:

    In a word, it is to be feared that Evangelicalism has so obscured the doctrine of baptismal regeneration, and so unscripturally smoothed the way of repentance, that multitudes have been beguiled to their destruction. Multitudes have been destroyed, not so much by what the Evangelicals teach, as by what they leave untaught…
    They are unsound in the doctrine of the one Catholic and Apostolic Church, confounding it with that of the communion of saints, or the invisible Church, holding it in a different manner from that in which it has been held by the Church universal from the beginning, and adopting the doctrines of the Dissenters.
    They associate with schismatics on the platform and elsewhere, contrary to the express command of Scripture; and by so doing, and by the near approach
which they make to the doctrine and practices of the Dissenters, they have confused the minds of the common people as to the duty and necessity of union with the Church, and the sin and danger of schism. This conduct has been the main cause of the lamentable state of schism and religious discord to which the nation has been reduced,—schism which, alas, has been communicated to our colonies in distant lands, and spread by our influence through the world, so as to impede the advance of Gospel-truth, and render the union of the Church more hopeless than ever…

Fortunately, however, a breath of fresh air is currently blowing through the church—causing much wailing and gnashing of teeth in certain quarters:

    They have now stood forward in a new light. They are no longer contending for the souls of men, but struggling to maintain a waning popularity. They see growing up around them, perhaps settling in their own parishes or neighbourhood, a zealous and laborious body of men who have devoted themselves to restore the ancient energy and purity of the Church. These men are gradually gaining an influence over the public mind, to the prejudice and annoyance of the Evangelicals. Hence their rage against them; and because these men blame as defective the effete Evangelicalism of the day, they are accused of being enemies to the Reformation; and because they endeavour to restore the ancient usages of the Church, which have been sinfully neglected, they are accused of popery and held up as departers from the Church’s discipline by men who err themselves in a tenfold greater and more dangerous degree. The effrontery with which these men accuse their brethren is marvellous. The daily newspapers and monthly magazines have been filled with false charges and injurious reports against those who are endeavouring to raise the tone of religion. Instead of that generous rivalry which ought to influence men engaged in the same great cause of winning souls to Christ, there has sprung up amongst the Evangelicals a bitter hostility and ungenerous jealousy; they bar the kingdom of heaven against men; they neither go in themselves, nor suffer those that are entering to go in…
    Under these circumstances, my feeling with regard to this party is changed. I no longer respect them as I used. They have assumed the attitude, not only of violent partisans of a defective system, but they stand forth as opponents of those who would raise the Church to her true position; and thus are fast approaching the sin of antichrist…

And having thus unburdened himself, William Gresley stops to draw breath:

It may appear to some that these accusations are penned in a spirit of harshness…

Heavens, no, William!—heavens, no…