To resume:
All of my reviewing threads are absurd, but some are more absurd than others.
In this I include Authors In Depth, not least because the writers who end up being recruited tend to be those whose oeuvres would, on their own, make a ridiculously complicated project—let alone all of them at once.
Be that as it may.
So far my progress in this area looks like this:
Mary Elizabeth Braddon:
– The Trail Of The Serpent (1860)
– The Octoroon; or, The Lily Of Louisiana (1859 / 1861)
– The Black Band; or, The Mysteries Of Midnight (1861 – 1862)
– Lady Lisle (1862)
– The Captain Of The Vulture (1862)
– Ralph The Bailiff, And Other Tales (1862 / 1869)
E. D. E. N. Southworth:
– Retribution; or, The Vale Of Shadows (1850)
– The Deserted Wife (1850)
– The Mother-In-Law; or, The Isle Of Rays (1851)
– Vivia; or, The Secret Of Power (1857)
Frances Trollope:
– The Refugee In America (1832)
– Hargrave; or, The Adventures Of A Man Of Fashion (1843)
Mrs (Mary) Meeke:
– Count St. Blancard; or, The Prejudiced Judge (1795)
– The Abbey Of Clugny (1796)
– Palmira And Ermance (1797)
– Ellesmere (1799)
“Gabrielli” (Elizabeth Meeke):
– The Mysterious Wife (1797)
– The Sicilian (1798)
Margaret Minifie and Susannah Minifie Gunning:
– The Histories Of Lady Frances S—, And Lady Caroline S— (1763)
– Family Pictures (1764)
– The Picture (1766)
– Barford Abbey (1768)
So which of these threads do I intend to continue with?
Don’t be silly: none of them.
Instead I’ve read the second and final novel by someone even more obscure than these ladies—by which means I can fool myself that I have at last ticked something off the list…