Posts tagged ‘architecture’

16/10/2010

Sex, sex, sex…that’s all they ever think about

So – we meet again, Dan Cruickshank!

The Secret History Of Georgian London: How The Wages Of Sin Shaped The Capital finds both Dan Cruickshank and myself out of our comfort zones, and immersed in a study of the 18th-century sex industry almost as extensive as the industry itself. Cruickshank’s usual interests do come under scrutiny here, as he considers the many and often surprising ways in which the epidemic of prostitution impacted upon the expansion of London in the Georgian era, not only in terms of building practices and innovations, but as an influence upon trends in architecture and art. Cruickshank describes the histories of three very specific buildings associated with the sex industry of the time: the Foundling Hospital, built in an effort to cope (tragically, without much success) with the hundreds of babies abandoned and left to die on London’s streets; the Madgalen, a reformatory for penitent prostitutes; and the Lock Hospitals, established specifically for the treatment of venereal disease, which was rampant.

But this study goes far beyond these boundaries. Cruickshank’s facts and figures conjure up a dark, dangerous and violent world whose scope is almost unimaginable – until some ugly economic realities are factored in. This was a time when honest labour for a woman usually meant a short life on starvation wages. For example, for the princely sum of £5 a year, a housemaid would be expected work twelve to sixteen hours a day and to make herself sexually available to the men of the household. In light of this, it is hardly surprising that many young women chose a life of overt, rather than covert prostitution. The hours and the pay were much better, and (as we shall see in the case of Ann Bond) the dangers of disease and violence not always that much greater.

Cruickshank also highlights another way in which some women tried to escape the painfully rigid boundaries of their existence: cross-dressing and passing as a man. While in some cases this was simply a pragmatic response to their limited opportunities as women, in others it was clearly an expression of an aspect of their personalities that Georgian society was not prepared to deal with – as evidenced by the punitive punishments handed out to women found guilty of perpetrating such a “fraud”. The cases of several woman who joined the army or navy in male guise are considered, as are others involving those who “married” other women. The unhappy life of perhaps the era’s most famous cross-dresser, Charlotte Charke – aka “Charles Brown” – the daughter of playwright and Poet Laureate (and political sycophant) Colley Cibber, is also sketched.

Examining legal records and other publications of the time, Cruickshank paints a picture of a society whose attitudes to its prostitutes were profoundly ambivalent, seeing the women simultaneously as victims and abusers, the scourge of society as well as the “salvation of good women”, who were preserved from, on one hand, having to submit to their husbands as often as they otherwise would, and on the other, protected from the threat of an epidemic of sexual assault, which was considered the inevitable consequence of cutting off easy access by men to sexual release, and which was the spectre invariably raised whenever any serious attempt was made to address the problem of prostitution.

The attitude of the legal system itself was equally confused: the statutes were brutal, but juries and judges often sympathetic – unless it could be proven that a prostitute was guilty of or involved in robbery as well as sexual activity, in which case she was likely to suffer transportation or death. This was a time, of course, before a professional police force or channels of investigation, when court cases, even for capital crimes, rested almost entirely upon verbal testimony and who the jury chose to believe. Curiously, despite outward condemnation of the race as “the lowest, most evil and most debauched of creatures”, unless a prostitute was testifying on her own behalf (and sometimes even then), it was a matter of public pride that her evidence under oath should be accepted. The inevitable intertwining of the judiciary and the sex industry is illustrated by accounts of various famous criminal cases involving prostitutes, including the trial of Colonel Francis Charteris for the rape and abuse of his housemaid, Ann Bond, which highlights both the best and worst aspects of the contemporary legal system.

Particular notice is paid to the bizarre case of Elizabeth Canning, who in 1753 claimed to have been abducted and held against her will with an aim of enforced prostitution. Her accused kidnappers were arrested and tried, and initially convicted; but the inconsistencies in Canning’s evidence and account of her ordeal were disturbing to some, who would not let the matter drop. The result was a case that shook the legal system’s faith in verbal testimony to its foundations, as it became increasingly clear that someone – either the seemingly innocent young girl making the accusation, or the far less innocent but far more convincing defendents – was lying through their teeth under oath.

This was also the era of the professional informant, which was one way that the moral crusaders tried to gather the evidence needed to close down “bawdy-houses”. It was, of course, a system open to brutal abuse, with informants willing to perjure themselves condemning their victims to jail, transportation and even death in exchange for payment – or threatening to do so unless paid off. Sympathetic as the law often was to female prostitutes, it was far otherwise towards their male equivalents, or indeed towards any man accused of “sodomitical intent”: the early part of the century saw a wave of executions of men convicted of homosexual activity, and another favourite game of the informers was to extort money from their victims under threat to lodge an accusation of “a sodomy”.

It was in this climate of jurisdictional failure and uncertainty that gave birth to the first police force, the Bow Street Runners, a secret squad of professional criminal investigators founded by Henry Fielding (who had played a rather ugly role in the Canning case), and later refined and expanded by his successor as Chief Magistrate, his half-brother Sir John Fielding (the “blind beak”).

Although much of Dan Cruickshank’s story deals necessarily with its “lower” levels, that there was not an aspect of society left untouched by the sex industry during the Georgian era is illustrated in a series of case studies involving famous figures of the time: the eccentric Dr James Graham, whose “Temple Of Health” promised his clients “marrow-melting” sexual pleasure stimulated by that mysterious new force, electricity; William Hogarth, using “the harlot” as a symbol both explicit and implicit for society’s ills; Sir Joshua Reynolds and his prostitute-muses – including the future Emma Hamilton; John Wilkes, who finally crashed and burned not because of his attacks upon the king, but because of his pornographic Essay On Woman; and Sir Francis Dashwood, whose Hell-Fire Club is a fitting symbol of the age. Also included are biographies of the very few women who successfully parlayed their sexual careers into fame, security, and even respectability – most notably Lavinia Fenton, who began as a prostitute, made her public name as an actress, and finally became Duchess of Bolton. She, of course, was an extreme exception, her story cast into relief by our knowledge of the countless, countless thousands of anonymous individuals who died in obscurity, misery and poverty.

“To read” addition:

The History Of Henry Dumont, Esq; and Miss Charlotte Evelyn – Charlotte Charke

10/08/2010

A watched interlibrary loan never arrives

I suppose it’s my own fault for being naive. I meant to launch this blog with a review of the book officially first in my new reading list; which is to say, after sliding inexorably backwards in literary history since first conceiving this project, I finally managed to make myself draw a line in the sand at one particular work. Unfortunately, the work in question required an interlibrary. Oh, well, I thought, I’ll place it and fill in the time with some non-fiction; how long could it take, anyway?

Well, I’ll say this: it’s not *the* slowest interlibrary loan in history; I suffered that earlier in the year, working on a different project (three and a half months to get from one side of the city to the other); but it’s starting to push for the title… So here I sit, twiddling my thumbs while my blog template shakes its head sadly and gives me reproachful glances.

So— More non-fiction!

I don’t mean to say much about Ros Ballaster’s Seductive Forms: Women’s Amatory Fiction From 1684 To 1740, because I will likely be dealing with its main subject matter – the fiction of Aphra Behn, Delariviere Manley and Eliza Haywood – in context at a later date. I will say, though, that in its willingness to take the writing of these well-meaning ladies on its own terms and examination the political and social context of its creation, it provided a welcome counterbalance to the dismissive attitude of John Richetti’s Popular Fiction Before Richardson. Ballaster traces the various influences that shaped Aphra Behn’s fiction in particular, before showing how she in turn influenced other writers including Manley and Haywood. From the point of view of my own limited knowledge, perhaps the most interesting, if rather depressing, aspect of the book was the discovery that the most purely amatory writing of the three, that of Eliza Haywood, is ultimately also the most joyless, painting love and passion as inevitably destructive for the female sex. Ballaster also goes on to show how, under the increasing and ever-more restrictive demands of respectability, these three vital female writers were, over time, ruthlessly pruned out of the publicly acknowledged version of the novel’s family tree.

I was a little out of my depth with Life In The Georgian City, by art and architecture historian and BBC documentarian / presenter Dan Cruickshank and his collaborator, Neil Burton. Much of the hardcore architectural detail passed me by, I’m afraid; but on the other hand, the sections of the book dealing with daily life for the inhabitants of London during the 18th century were fascinating. Despite its broad title, the book does focus almost exclusively upon life in London purely, as Cruickshank admits, because of the comparative wealth of information that can be drawn upon. This study examines practicalities like house design and decoration and room arrangements; the evolution of house fittings such as lights, ovens, water and fuel sources, and (oh, admit it, you really do want to know!) sanitary arrangements; at how people of all sorts occupied houses of all sorts, and went about their daily lives; and at the rise of the garden. The book concludes with various case studies of specific elements of Georgian-built houses still standing in London (one of which, I gather, is Dan Cruickshank’s own). The text is well-supported by numerous photographs and reproductions of sketches and paintings.

More Dan Cruickshank. The Royal Hospital Chelsea: The Place And The People is an account of the famous military pension-house established by Charles II (at the prompting of Nell Gwynne, or so legend has it) partly as a refuge for those injured or disabled through militaty service, and partly as a barracks to serve as a standing warning to various disgruntled factions. The book is a deft sketch of the Hospital’s chequered history of threatened closures, political manoeuvring and financial chicanery, and a celebration of its survival into the 21st century. Cruickshank’s account has something for almost every interest, as it glances at the royal, architectural, military and political influences that shaped the Hospital – including the outright corruption of many given the task of running it. (Fun [?] fact: the famous Ranelagh pleasure gardens were built illegally on profits siphoned off from the Hospital.) The book is almost overflowing with sketches, paintings and photographs. An engaging read.

Currently reading: Factual Fictions: The Origins Of The English Novel by Lennard J. Davis. (Or to put it another way, no, my interlibrary loan still hasn’t arrived. Sigh…)